https://c-r-i.org Cri Tue, 19 Mar 2024 16:29:22 +0000 https://c-r-i.org en https://c-r-i.org/Publications Mon, 18 Mar 2024 13:55:50 +0000 Cri https://c-r-i.org/Publications ︎︎︎PRACTICE-BASED ARTISTIC RESEARCH PROJECTS Do I contradict myself? Very well then I contradict myself, (I am large; I contain multitudes.)–Walt Whitman, Song of Myself Publications 1. Hypnosis and Creativity&nbsp; Transdisciplinary research project by psychiatrist hypnotherapist Dr Lakhsmi Waber and artistic researcher Dr Mauricio Carrasco that followed Jasmine Morand's company Prototype-Status new work ‘Aria’ for dancer Fabio Bergamaschi throughout the creative process going from its early gestation until the work’s premiere. Projet de recherche transdisciplinaire mené par le Dr Lakhsmi Waber, psychiatre et hypnothérapeute, et le Dr Mauricio Carrasco, chercheur artistique, qui a suivi la nouvelle œuvre "Aria" de la compagnie Prototype-Status de Jasmine Morand pour le danseur Fabio Bergamaschi tout au long du processus de création, depuis sa gestation jusqu'à la première de l'œuvre. 2. Queer Monodramas Peer-reviewed Article Article by Mauricio Carrasco &amp; Andrés Núñez (in Spanish). Revista Musical Chilena vol. 77(239). 2023. Sympoiesis in the creative process of the monodramas Retablo de Sodomitas and Villancicos del Santo Niño de las Quemaduras. Situating performativity and queer autoethnography as constitutive elements of the creative process. La simpoiesis en el proceso creativo de los monodramas Retablo de Sodomitas y Villancicos del Santo Niño de las Quemaduras. Situando la performatividad y la autoetnografía queer como elementos constitutivos del proceso creativo. How to cite: Carrasco, M., &amp; Núñez Mora, A.. (2023). La simpoiesis en el proceso creativo de los monodramas Retablo de Sodomitas y Villancicos del Santo Niño de las Quemaduras. Situando la performatividad y la autoetnografía queer como elementos constitutivos del proceso creativo. Revista Musical Chilena, 77(239), 140–166. http://dx.doi.org/10.4067/s0716-27902023000100140 https://revistamusicalchilena.uchile.cl/index.php/RMCH/article/view/66950/73878 <img width="546" height="671" width_o="546" height_o="671" data-src="https://freight.cargo.site/t/original/i/e20f51624cd69674cee94b827c6ad8f19e4264fb7c7d7ccdc1d59444912bd055/Screenshot-2024-03-19-at-10.45.24.png" data-mid="207131909" border="0" src="https://freight.cargo.site/w/546/i/e20f51624cd69674cee94b827c6ad8f19e4264fb7c7d7ccdc1d59444912bd055/Screenshot-2024-03-19-at-10.45.24.png" /><img width="534" height="205" width_o="534" height_o="205" data-src="https://freight.cargo.site/t/original/i/1c8e322b344bc907d35b993bfcf22dcf6cb07ac9d7ba0138cb0f49ef8b2c85fc/Screenshot-2024-03-19-at-10.45.38.png" data-mid="207131910" border="0" src="https://freight.cargo.site/w/534/i/1c8e322b344bc907d35b993bfcf22dcf6cb07ac9d7ba0138cb0f49ef8b2c85fc/Screenshot-2024-03-19-at-10.45.38.png" /> Monodramas composed by Andrés Núñez Text written by Luis Felipe Fabre Directed by Carolina Sagredo Performed by Mauricio Carrasco Retablo de Sodomitas (2018) Villancicos del Santo Niño de las Quemaduras (2021) 3. Midnight Reflections <img width="1155" height="893" width_o="1155" height_o="893" data-src="https://freight.cargo.site/t/original/i/99e05b1f204044eeb5987603f0543b6e6f536950de70a10284a0ec572da2aaf1/Screenshot-2024-03-19-at-15.46.11.png" data-mid="207132162" border="0" src="https://freight.cargo.site/w/1000/i/99e05b1f204044eeb5987603f0543b6e6f536950de70a10284a0ec572da2aaf1/Screenshot-2024-03-19-at-15.46.11.png" /> Peer-reviewed Audio-ArticleMidnight Reflections about our own Northern Ventriloquist's SkillsAN AUDIO ARTICLE BY MAURICIO CARRASCO AND FERNANDO GARNERO, IN DIALOGUE WITH YOUTUBE LINKS BY THIRUSHA NAIDU, ACHILLE MBEMBE, AND ROSI BRAIDOTTIAudio Article by Mauricio Carrasco &amp; Fernando Garnero. Performance Philosophy 8(1): 101-10. 2023. How to CiteCarrasco, M., &amp; Garnero, F. Midnight Reflections about Our Own Northern Ventriloquist’s Skills. 2023. Performance Philosophy8 (1): 101-10https://doi.org/10.21476/PP.2023.81399. Works : Interlude for e-guitar (2014)Composed by Fernando GarneroPerformed by Mauricio Carrasco Neon Pig for ensemble and electronics (2017)Composed by Fernando GarneroPremiered by Argonaut Ensemble conducted by Elena Schwartz 4. The Experiment The Experiment – A Musical Monodrama (2015) Composed by David Chisholm Text by Mark Ravenhill Performed by Mauricio Carrasco Peer-reviewed ArticleErasing Memory and Trauma in Mark Ravenhill and David Chisholm’s The Experiment. The effort of remembering, or how to not fall into oblivion through the use of vestigial forms in contemporary contexts. How to cite : Carrasco, M. 2021. Erasing Memory and Trauma in Mark Ravenhill and David Chisholm’s The Experiment. The effort of remembering, or how to not fall into oblivion through the use of vestigial forms in contemporary contexts. Resonancias vol. 25, n° 49, pp. 201-220. https://doi.org/10.7764/res.2021.49.15 <img width="812" height="928" width_o="812" height_o="928" data-src="https://freight.cargo.site/t/original/i/f085b632fc1f663fcdccbe6c44c06f0ffff6ddd8b0970bb2f79783d0be5123d4/Screenshot-2024-03-19-at-16.07.10.png" data-mid="207131575" border="0" data-scale="83" src="https://freight.cargo.site/w/812/i/f085b632fc1f663fcdccbe6c44c06f0ffff6ddd8b0970bb2f79783d0be5123d4/Screenshot-2024-03-19-at-16.07.10.png" /> https://c-r-i.org/Main-page-copy Wed, 20 Dec 2023 12:33:52 +0000 Cri https://c-r-i.org/Main-page-copy Création Recherche Interdisciplinarité &nbsp; (EN) C R I aims for supradisciplinarity, an umbrella term by which Balsiger et al. (2004) refer to when we trespass disciplinary boundaries and leave behind monodisciplinary practices, those that prevail in most of the quantitative / positivist academic realm. (FR) C R I vise la supradisciplinarité, terme avec Balsiger et al. (2004) désignent les fois où nous dépassons les frontières disciplinaires et sortons des nos pratiques monodisciplinaires, celles qui règnent dans le domaine académique de la recherche quantitative / positiviste. ︎︎︎PROJECTS Do I contradict myself? Very well then I contradict myself, (I am large; I contain multitudes.) –Walt Whitman, Song of Myself 01. THE DECAMERON Emerging from another plague, the 14th century Black Death, Giovanni Boccaccio’s Decameron presented readers with models of pre, mid and post-plague societal perceptions and norms. Following its antecedent, the Decameron_Project begins within the confinement period, touching on the recent memories and reflections on now lost modalities of life. Then, as an imagined perpetual participative project which transcends the period(s) of confinement, it seeks to grow and map the emergence of new ritual norms as they manifest. Issu d'un autre fléau, la peste noire du XIVe siècle, le Décaméron de Giovanni Boccaccio a présenté aux lecteurs des modèles de perceptions et de normes sociétales avant, pendant et après le fléau. À l'instar de son antécédent, The Decameron Project commence pendant la période de confinement, en évoquant les souvenirs récents et les réflexions sur les modalités de vie désormais perdues. Puis, en tant que projet participatif perpétuel imaginé qui transcende la ou les périodes de confinement, il cherche à se développer et à cartographier l'émergence de nouvelles normes rituelles à mesure qu'elles se manifestent. <img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/79df3a7b6d4920fe73b2c2d54f03cb52f36f272728f69f6e2fac025d878a5b79/Untitled_Artwork.gif" data-mid="199824953" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/79df3a7b6d4920fe73b2c2d54f03cb52f36f272728f69f6e2fac025d878a5b79/Untitled_Artwork.gif" /> 02. HYPNOSE &amp; CREATIVITY HYPNOSE AND CREATIVITY Transdisciplinary research project by psychiatrist hypnotherapist Dr Lakhsmi Waber and artistic researcher Dr Mauricio Carrasco that followed Jasmine Morand's company Prototype-Status new work ‘Aria’ for dancer Fabio Bergamaschi throughout the creative process going from its early gestation until the work’s premiere. HYPNOSE ET CREATIVITE Projet de recherche transdisciplinaire mené par le Dr Lakhsmi Waber, psychiatre et hypnothérapeute, et le Dr Mauricio Carrasco, chercheur artistique, qui a suivi la nouvelle œuvre "Aria" de la compagnie Prototype-Status de Jasmine Morand pour le danseur Fabio Bergamaschi tout au long du processus de création, depuis sa gestation jusqu'à la première de l'œuvre. https://c-r-i.org/About-Info Tue, 17 Jan 2023 08:24:53 +0000 Cri https://c-r-i.org/About-Info CREATION RESEARCH INTERDISCIPLINARITY C R I is an acronym for Creation Research Interdisciplinarity C R I means SCREAM in FrenchC R I has for mission to create and promote Worldliness Artistic Research C R I is based in Geneva, SwitzerlandC R I ‘s Artistic Direction is the responsibility of Mauricio Carrasco, PhDC R I is produced by Ars Longa Productions (https://ars-longa.ch) C R I est un acronyme pour Création Recherche Interdisciplinarité &nbsp;C R I a pour mission de créer et de promouvoir la Recherche Artistique dans un esprit de Mondialité C R I est basé à Genève, en SuisseC R I est une structure transversale dont la Direction Artistique est assurée par Mauricio Carrasco, PhDC R I est produit par Ars Longa (https://ars-longa.ch) Artistic Direction Mauricio Carrasco, PhD. Dr Mauricio Carrasco is an artistic researcher born in Chile, Swiss and Australian citizen resident in Geneva. He holds two Master's degrees from the Haute École de Musique de Genève HEM and a PhD from the University of Melbourne, where he researched the figure of the Actor-Musician and developed a body of collaborative new music theatre works. Throughout his career, he has been involved in the creation and development of cultural infrastructure that promotes and explores new artistic expressions in academic contemporary music, such as the Swiss Ensemble Vortex and the Bendigo International Festival of Exploratory Music BIFEM in Australia.Carrasco argues against the stranglehold of specialisation in artistic disciplines and aims to develop transdisciplinary projects that promote intertwined and transversal convergences between the arts, philosophy and sciences. He is the artistic director of CRI création recherche interdisciplinarité in Geneva and of The_Decameron_Project, launched during the COVID19 pandemic, which, like Boccaccio's Decameron, artistically touches on memories of lost ways of life and seeks to map the emergence of new ritual norms as they manifest over the course of ten days (from the Greek deca=ten, meron=days).His research interests focus on the post-humanities, which leads him to critically engage with the performativity of technologically enhanced artworks. Through queer autoethnographic methods and Ericksonian Hypnosis, he explores issues of subalternity, postcolonialism, psychoanalysis and 'gender troubles' unfolding in the experimental artefacts and academic outcomes he proposes as an artist-scholar. ORCID ID:&nbsp;https://orcid.org/0000-0002-0784-2126 “We must not tell ourselves that the indeterminate, the uncertain, the un-obvious, is a weakness, but that it opens our minds to unexpected forms of complexities. The Tremulous thought is not a thought out of fear, it is thought that is opposed to systematic thinking. We understand the world better if we tremble with it.” “Il ne faut pas se dire que l’incertitude, l'incertain, la non-évidence, est une faiblesse, mais qu’elle nous permet d'entrer dans des complexités telles que nous ne nous soupçonnions pas. La pensée du Tremblement ce n’est pas la pensée de la crête, ni la pensée de la peur, c'est la pensée qui s'oppose aux systèmes de pensée. Il me semble que nous comprenons mieux le monde si nous tremblons avec lui.” –Édouard Glissant in One World in Relation, film directed by Manthia Diawara [EN] C R I aims for “supradisciplinarity,” an umbrella concept defined by Balsiger et al. (2004) for all those times we trespass disciplinary boundaries and exit monodisciplinary practices, those that reign in the realm of quantitative/positivist research that rules much of academia. To achieve this, C R I- &nbsp; &nbsp;&nbsp; Promotes and produces projects in the cultural and artistic fields - &nbsp; &nbsp;&nbsp; Develops research and creative projects with a focus on trespassing disciplines and geographic boundaries- &nbsp; &nbsp;&nbsp; Presents Artistic Research outcomes in different settings and in different forms that include concerts, performances, publications, conferences, and web and multimedia creation. [FR] C R I vise la "supradisciplinarité", défini par Balsiger et al. (2004) comme un concept qui englobe toutes les fois où nous dépassons les frontières disciplinaires et sortons des pratiques monodisciplinaires, celles qui règnent dans le domaine de la recherche quantitative/positiviste et régit une grande partie du monde académique. Pour cela, C R I- &nbsp;Promeut et produit des projets dans les domaines culturel et artistique - &nbsp;Développe des projets de recherche et de création en dépassant les frontières disciplinaires et géographiques- Présente les résultats de la Recherche Artistique sous différentes formes, notamment des concerts, des performances, des publications, des conférences et la création de contenus web et multimédia. https://c-r-i.org/Hypnosis-and-Creativity Tue, 19 Mar 2024 16:29:22 +0000 Cri https://c-r-i.org/Hypnosis-and-Creativity 1. Hypnosis and Creativity Transdisciplinary research project by psychiatrist hypnotherapist Dr Lakhsmi Waber and artistic researcher Dr Mauricio Carrasco that followed Jasmine Morand's company Prototype-Status new work ‘Aria’ for dancer Fabio Bergamaschi throughout the creative process going from its early gestation until the work’s premiere. Projet de recherche transdisciplinaire mené par le Dr Lakhsmi Waber, psychiatre et hypnothérapeute, et le Dr Mauricio Carrasco, chercheur artistique, qui a suivi la nouvelle œuvre "Aria" de la compagnie Prototype-Status de Jasmine Morand pour le danseur Fabio Bergamaschi tout au long du processus de création, depuis sa gestation jusqu'à la première de l'œuvre.